Audio Engineering Society
Adapted from Wikipedia · Discoverer experience
The Audio Engineering Society (AES) is a group for people who work with sound and audio technology. It includes engineers, scientists, and anyone else who helps make, study, or use audio equipment and systems. Many members design new devices or create music and other audio content. Others are experts in how sound travels or how people hear.
The AES was started in 1948 and is the only group in the world that focuses completely on audio technology. It creates rules and guidelines to help make sure audio equipment and systems work well together. The society also holds big meetings called AES Conventions twice every year. These meetings take place in different places in Europe and the United States. Throughout the year, smaller meetings called AES Conferences happen on different topics related to audio.
History
The idea of creating a group just for audio engineering was talked about for a while before the first meeting. It was first suggested in a letter by Frank E. Sherry from Victoria, Texas, in the December 1947 issue of the magazine Audio Engineering. Another engineer, C.J. LeBel from New York, agreed and said that some audio professionals were already interested in organizing a meeting. He asked anyone interested to contact him for more information.
The first meeting to organize the group happened at the RCA Victor Studios in New York City on February 17, 1948. LeBel talked about how the group would be professional and not for business. Norman Pickering explained why a professional group was needed to share ideas in this fast-growing field. The group decided to form the Audio Engineering Society and chose their first leaders.
The first technical meeting took place on March 11, with about 3500 people attending. The speaker was Harry F. Olson, a well-known engineer and scientist at RCA, who talked about problems in making high-quality sound.
Membership
As of 2020[update], the Audio Engineering Society has more than 12,000 members. These members choose leaders to help run the group and make important decisions. The AES is a non-profit organization based in New York.
Journal
The Audio Engineering Society puts out a special journal called the Journal of the Audio Engineering Society (JAES). This journal shares research and ideas about audio technology and sound.
Conventions and conferences
The Audio Engineering Society holds two big meetings every year. One meeting happens in the fall in North America, and the other takes place in the spring in Europe. These meetings started way back in 1949.
Technical Council
The Audio Engineering Society has 23 groups called Technical Committees. These groups help the Technical Council understand new trends and topics in audio engineering. Anyone can join these group meetings, which happen at conventions. These meetings are used to plan workshops, seminars, and conferences on specific audio topics.
Standards
The Audio Engineering Society has helped create rules for audio technology since 1977. Their Standards Committee works with many people to make sure these rules work well for both old and new ways of recording, sending, and playing back audio.
Some important rules they have made include standards for connecting digital audio devices, syncing digital audio, sharing audio files, and sending audio over special networks. They also help create international rules by working with groups like the IEC. Anyone can help make these rules, but there is a cost to get copies of the finished rules.
Gold Medal recipients
The AES Gold Medal is the highest honor given by the Audio Engineering Society. It is awarded for outstanding achievements in audio engineering over many years. The award was started in 1971 and was previously called the John H. Potts Memorial Award.
Awardees in chronological order
- Harry F. Olson (1949)
- Howard A. Chinn (1950)
- Hermon Hosmer Scott (1951)
- Frank L. Capps (1952)
- Edward W. Kellogg (1953)
- J.P. Maxfield (1954)
- Lee De Forest (1955)
- Sherman Fairchild (1955)
- O.B. Hanson (1956)
- Edward C. Wente (1957)
- Samuel B. Snow (1957)
- Harvey Fletcher (1958)
- Harold Stephen Black (1959)
- Semi Joseph Begun (1960)
- John Kenneth Hilliard (1961)
- Arthur C. Davis (1962)
- Benjamin B. Bauer (1963)
- Vern Oliver Knudsen (1964)
- Frederick Vinton Hunt (1965)
- John E. Volkmann (1966)
- Arnold P.G. Peterson (1968)
- William B. Snow (1968)
- Marvin Camras (1969)
- Rudy Bozak (1970)
- Leo Beranek (1971)
- Manfred R. Schroeder (1972)
- Henry E. Roys (1973)
- Floyd K. Harvey (1974)
- Georg Neumann (1976)
- John G. Frayne (1976)
- Daniel R. von Recklinghausen (1978)
- Hugh S. Knowles (1978)
- Arthur C. Keller (1981)
- Duane H. Cooper (1982)
- Willi Studer (1982)
- Cyril M. Harris (1984)
- Stefan Kudelski (1984)
- Claude E. Shannon (1985)
- Thomas Stockham (1987)
- Heitaro Nakajima (1989)
- Eberhard Zwicker (1991)
- Michael Gerzon (1991)
- Ray M. Dolby (1992)
- Bart N. Locanthi (1996)
- Richard H. Small (1996)
- Kees A. Schouhamer Immink (1999)
- Fritz Sennheiser (2002)
- Gerhard Steinke (2007)
- Jens Blauert (2008)
- George Massenburg (2008)
- Rupert Neve (2011)
- Phil Ramone (2011)
- Rudy Van Gelder (2013)
- Floyd Toole (2013)
- Floyd Toole (2014)
- Bob Ludwig (2015)
- Diana Deutsch (2016)
- D. B. Keele Jr. (2016)
- Malcolm Omar Hawksford (2017)
- Tony Agnello (2021)
- Jamie Angus-Whiteoak (2023)
- Richard Factor (2021)
British section
The AES British Section was the first and largest group outside the US. It sends out a newsletter every month and has regular talks, mostly in London. Sometimes they visit studios and other interesting places. The talks are often about topics that audio fans care about. These talks are usually recorded, and you can listen to old talks for free as MP3 files. Sometimes there are slides in PDF format to go with them.
Connection with the VDT
Even though there are several German groups linked to the Audio Engineering Society, they do not have an official tie to the Verband Deutscher Tonmeister. However, both groups share similar goals and activities. Some people, like Benjamin Bernfeld, Gerhard Steinke, and Günther Theile, are members of both organizations.
Related articles
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