Safekipedia

Paris Opera

Adapted from Wikipedia · Discoverer experience

The grand south façade of the Opéra Garnier in Paris, an impressive example of historic architecture.

The Paris Opera (French: Opéra de Paris) is the main opera and ballet company of France. It was started in 1669 by Louis XIV as the Académie d'Opéra. Soon after, it was led by Jean-Baptiste Lully and renamed the Académie Royale de Musique, but it was still called the Opéra by most people. The style of dance known as classical ballet began within the Paris Opera, and the Paris Opera Ballet has always been a big part of the company.

Today, the Paris Opera is called the Opéra national de Paris. It mainly puts on operas at its modern theatre, Opéra Bastille, which has 2,723 seats and opened in 1989. It also performs ballets and some older operas at the famous Palais Garnier, which opened in 1875 and has 1,979 seats. Smaller and newer shows are held in a 500-seat Amphitheatre under the Opéra Bastille.

Each year, the Paris Opera gives about 380 shows of opera, ballet, and concerts to around 800,000 people. About 17% of the audience comes from other countries. The company has a big team, including an orchestra of 170 musicians, a chorus of 110 singers, and a corps de ballet of 150 dancers. It also has training programs for young artists.

History

See also: French opera

The Opera under Louis XIV

Pierre Perrin

The poet Pierre Perrin started thinking about French opera in 1655, long before the Paris Opera was officially created. He thought the idea that French was not good for music was wrong. In 1666, he asked the minister Colbert to let the king start an "Academy of Poetry and Music" to mix French words and music into a new kind of show.

View of the Salle du Bel-Air

In 1669, Louis XIV gave Perrin a special right to create opera houses in France for 12 years. Perrin could pick his partners and set ticket prices. No one else could start a similar place, not even rich people. Perrin turned a old tennis court into a theater for about 1200 people.

Jean-Baptiste Lully

The Opera was renamed the Académie Royale de Musique and became known simply as the Opéra. Lully quickly got the king to change the rules so that other performers could only use fewer singers and musicians. Because of legal problems, Lully could not use Perrin’s theater, so a new one was built. During Lully’s time, only his own works were performed. The first shows were Les fêtes de l'Amour et de Bacchus in 1672 and Cadmus et Hermione in 1673.

Vigarani's plan of the Salle du Palais-Royal

After Molière died in 1673, his group joined another theater group. Lully wanted a better theater and got to use a nice one for free. The first show there was Alceste in 1674. Lully’s operas were sometimes criticized, so the king let some shows be performed for special groups to help. During Lully’s time, shows happened almost every year, except for three weeks at Easter. Performances were on Tuesdays, Fridays, and Sundays.

After Lully

After Lully died in 1687, almost twice as many new shows were made each year because his successors had a harder time keeping the audience interested. Lully’s works were often performed again. French composers usually wrote new music for new stories, while Italian composers often used the same stories with new music. One important new show from this time was L'Europe galante by Campra in 1697.

Ballet

Plan of the Palais-Royal in 1679 showing the location of the Paris Opera's theatre (in blue)

In 1661, Louis XIV, who loved dancing, started the Académie Royale de Danse to teach proper dancing. From 1680 until Lully died, a famous dancer named Pierre Beauchamp led it. When Lully took over the Opera in 1672, he and Beauchamp made dancing a big part of the shows. Over time, this dancing part became known as the Paris Opera Ballet. In 1713, a dance school was opened, which is now called the Paris Opera Ballet School. The Académie Royale de Danse went away after the monarchy ended in 1789.

The company after the Revolution and in the 19th century

After the French Revolution, the Opera changed names many times and moved to a new theater in 1794. In 1802, Napoleon took control and gave it a new name. After Napoleon, it changed names again. In 1821, it moved to a theater that could hold 1900 people, but it burned down in 1873. In 1875, the Opera moved to a new building called the Palais Garnier.

The Théâtre des Arts, principal venue of the Paris Opera from 1794 to 1820

20th century

From 1908 to 1914, Henri Benjamin Rabaud led the music at Palais Garnier. In 1939, the Opera joined with another theater group. In 1990, the Opera moved to a new home called Opéra-Bastille, but still used Palais Garnier for some shows. In 1994, it became the Opéra National de Paris. People still usually called it the Opéra.

21st century

The current leader of the Opera is Alexander Neef, who started in September 2020. In April 2021, Gustavo Dudamel was chosen to lead the music, but he left in 2023. In January 2026, Semyon Bychkov was picked to be the next music leader, starting in August 2028.

Video streaming service

On 7 April 2023, the Opera started a video streaming service called Paris Opera Play (or POP). It began with 80 shows, including operas, ballets, and documentaries. People can watch live shows too. The videos work on computers using browsers like Google Chrome, Firefox, Microsoft Edge Chromium, and Safari. Subtitles in French and English are available for most videos. Viewers can use Chromecast or AirPlay to watch on a TV, but AirPlay does not show subtitles. An alternative is to connect a computer to a TV with an HDMI cable. In March 2025, Paris Opera Play added apps for Apple TV and Android TV.

List of official company names

DateOfficial name
28 June 1669Académie d'Opéra
13 March 1672Académie Royale de Musique
24 June 1791Opéra
29 June 1791Académie de Musique
17 September 1791Académie Royale de Musique
15 August 1792Académie de Musique
12 August 1793Opéra
18 October 1793Opéra National
7 August 1794Théâtre des Arts
2 February 1797Théâtre de la République et des Arts
24 August 1802Théâtre de l'Opéra
29 June 1804Académie Impériale de Musique
3 April 1814Académie de Musique
5 April 1814Académie Royale de Musique
21 March 1815Académie Impériale de Musique
9 July 1815Académie Royale de Musique
4 August 1830Théâtre de l'Opéra
10 August 1830Académie Royale de Musique
26 February 1848Théâtre de la Nation
29 March 1848Opéra-Théâtre de la Nation
2 September 1850Académie Nationale de Musique
2 December 1852Académie Impériale de Musique
1 July 1854Théâtre Impérial de l'Opéra
4 September 1870Théâtre de l'Opéra
17 September 1870Théâtre National de l'Opéra
14 January 1939Réunion des Théâtres Lyriques Nationaux
7 February 1978Théâtre National de l'Opéra de Paris
2 April 1990Opéra de Paris
5 February 1994Opéra National de Paris

List of venues

TheatreDates used
Salle de la Bouteille3 March 1671 – 1 April 1672
Salle du Bel-Air10? November 1672 – June 1673
Salle du Palais-Royal (1st)16 June 1673 – 6 April 1763
Salle des Tuileries24 January 1764 – 23 January 1770
Salle du Palais-Royal (2nd)26 January 1770 – 8 June 1781
Salle des Menus-Plaisirs14 August – 23 October 1781
Théâtre de la Porte Saint-Martin27 October 1781 – 7 March 1794
Théâtre National de la rue de la Loi26 July 1794 – 13 February 1820
Salle Favart (1st)19 April 1820 – 11 May 1821
Salle Louvois25 May – 15 June 1821
Salle Le Peletier16 August 1821 – 28 October 1873
Salle Ventadour19 January 1874 – 30 December 1874
Palais Garnier5 January 1875 – 29 June 1936
Théâtre Sarah Bernhardt1 August 1936 – 20 November 1936
Théâtre des Champs-Élysées30 November 1936 – 17 February 1937
Palais Garnier21 February 1937 – present
Opéra Bastille13 July 1989 – present

List of managing directors

Start dateNameAdministration
28 June 1669 Pierre PerrinRoyal Household
30 March 1672 Jean-Baptiste Lully
27 June 1687 Jean-Nicolas de Francine
30 December 1688 Jean Nicolas de Francine, Hyacinthe de Gauréault Dumont
7 October 1704 Pierre Guyenet
12 December 1712 Jean Nicolas de Francine, Hyacinthe de Gauréault Dumont
8 February 1728 André-Cardinal Destouches
1 June 1730 Maximilien-Claude Gruer
18 August 1731 Claude Lecomte (Opera director) Lebœuf
30 May 1733 Eugène de Thuret
18 March 1744 Jean-François Berger
3 May 1748 Joseph Guénot de Tréfontaine
25 August 1749 Louis-Basile de Bernage, Marquis d'Argenson, then François Rebel
and François Francœur
City of Paris
1754 Joseph-Nicolas-Pancrace Royer
1755 Bontemps, Levasseur
13 March 1757 François Rebel, François FrancœurRoyal Household
9 February 1767 Pierre Montan Berton, Jean-Claude Trial
9 November 1769 Pierre Montan Berton, Jean-Claude Trial,
Antoine Dauvergne, Joliveau
City of Paris
18 April 1776 Direction by the Royal CommissionersRoyal Commissioners
18 October 1777 Jacques de Vismes
19 February 1779 City of Paris
19 March 1780 Pierre Montan BertonRoyal Accountant
27 May 1780 Antoine Dauvergne, François-Joseph Gossec
8 April 1790 City of Paris
8 March 1792 Louis-Joseph Francœur, Jacques Cellerier
(under committee headed by J.-J.Leroux)
Paris Commune (French First Republic)
17 September 1793 Committee of the Commune (with François Lays)
1 May 1797 Committee of the Commune
12 September 1799Jacques Devisme (formerly Jacques de Vismes du Valgay),
Joseph Bonet de Treyches
13 March 1800 Jacques Devisme
25 December 1800 Joseph Bonet de Treyches
19 December 1801 Jacques Cellerier
26 November 1802 Prefect Étienne Morel de Chefdeville, then
Joseph Bonet de Treyches as Director
Prefects of the Palace
1 November 1807 Louis-Benoit PicardImperial Superintendents
3 April 1814 Royal Superintendents
18 January 1816 Denis Pierre Jean Papillon de la Ferté
30 March 1817 Alexandre Étienne Choron
30 October 1819 Giovanni-Battista Viotti
1 November 1821 François-Antoine Habeneck
26 November 1824 Raphaël Duplantys
12 July 1827 Émile Timothée Lubbert
2 March 1831 Louis-Désiré VéronFranchised entrepreneurship
with state subvention
15 August 1835 Henri Duponchel
15 November 1839 Henri Duponchel, Édouard Monnais
1 June 1840Henri Duponchel, Édouard Monnais, Léon Pillet
1 June 1841Henri Duponchel, Léon Pillet
October 1841Léon Pillet
1 August 1847Léon Pillet, Henri Duponchel, Nestor Roqueplan
24 November 1847Henri Duponchel, Nestor Roqueplan
21 November 1849 Nestor Roqueplan
1 July 1854 Imperial Household
(Civil List)
11 November 1854 François-Louis Crosnier
1 July 1856 Alphonse Royer
20 December 1862 Émile Perrin
11 April 1866 Franchised entrepreneurship
with state subvention
1 October 1870 State administration
28 October 1870 Society of Artists
with state subvention
9 May 1871 Eugène Garnier
3 July 1871 Émile Perrin
9 July 1871 Hyacinthe Halanzier
1 November 1871 Private entrepreneurship
with state subvention
16 July 1879 Auguste Vaucorbeil
1 December 1884 Eugène Ritt, Pedro Gailhard
1 January 1892 Eugène Bertrand, Édouard Colonne
1 April 1893 Eugène Bertrand, Pedro Gailhard
31 December 1899 Pedro Gailhard
1907 Pedro Gailhard, Pierre Barthélemy Gheusi
1 January 1908 Leimistin Broussan, André Messager
1 January 1915 Jacques Rouché
14 January 1939 State administration:
Réunion des Théâtres
Lyrique Nationaux
(Opéra and Opéra-Comique
merged under one
administration, RTLN)
1940 Jacques Rouché (RTLN), Philippe Gaubert (Opéra)
1942 Jacques Rouché (RTLN), Marcel Samuel-Rousseau (Opéra)
21 February 1945 René Gadave (interim administrator)
27 June 1945 Maurice Lehmann (RTLN), Reynaldo Hahn (Opéra)
12 May 1946 Georges Hirsch (RTLN), Henri Büsser (Opéra)
17 November 1951 Maurice Lehmann (RTLN), Emmanuelle Bondville (Opéra)
30 September 1955 Jacques Ibert (RTLN), Emmanuelle Bondville (Opéra)
13 April 1956 Georges Hirsch (RTLN), Emmanuelle Bondville (Opéra)
August 1959 A.-M. Julien (RTLN), Emmanuelle Bondville (Opéra)
19 April 1962 Georges Auric (RTLN), Emmanuelle Bondville (Opéra)
September 1968 André Chabaud (interim director)
1 October 1969 René Nicoly
23 May 1971 Jean-Yves Daniel-Lesur (RTLN),
Bernard Lefort (Opéra)
1 January 1972 Rolf Liebermann(Opéra-Comique closed)
7 February 1978 Théâtre National de
l'Opéra de Paris
31 July 1980 Bernard Lefort
September 1982 Interim committee: Paul Puaux Jean-Pierre Leclerc,
Alain Lombard, Georges-François Hirsch
1 August 1983 Massimo Bogianckino
24 September 1985 
12 February 1986 Jean-Louis Martinoty
13 July 1989 (Opéra Bastille opens)
1 September 1989 Jean-Albert Cartier
(general administrator of the Palais Garnier)
2 April 1990 Pierre Bergé (president)Opéra de Paris
(Opéra-Comique reopens)
15 May 1991 Georges-François Hirsch
(general administrator of the Palais Garnier)
1 September 1992 Brigitte Lefèvre
(general administrator of the Palais Garnier)
5 February 1994 Opéra National de Paris
15 February 1994 Jean-Paul Cluzel (inspector general of finances)
1 August 1995 Hugues Gall
September 2004 Gerard Mortier
1 August 2009 Nicolas Joel
1 August 2014 Stéphane Lissner
1 September 2020 Alexander Neef

Other Parisian opera companies and theatres

From 1725 to 1791, Paris had four main public theatres: the Opéra de Paris, the Comédie-Française, the Comédie-Italienne, and the Opéra-Comique. In 1762, the Opéra-Comique joined with the Comédie-Italienne.

By 1791, laws changed, letting many more theatres open. This caused lots of new theatres to appear, and names changed often as buildings burned down and reopened. Some new theatres included the Théâtre Feydeau, Théâtre Italien, Théâtre Lyrique, and others.

After 1870, things calmed down, and mainly the Opéra and Opéra-Comique stayed active. When the Opéra-Comique’s theatre burned in 1887, the company moved to other places. Other groups also performed operas in different theatres around this time.

Images

The grand Opera House in Paris, known as the Opéra Garnier, beautifully lit at night.
The grand foyer inside the famous Opéra Garnier building in Paris, known for its beautiful architecture and ornate design.
The grand interior of the Paris Opera, featuring ornate architecture and stage curtains.

Related articles

This article is a child-friendly adaptation of the Wikipedia article on Paris Opera, available under CC BY-SA 4.0.

Images from Wikimedia Commons. Tap any image to view credits and license.