Paris Opera
Adapted from Wikipedia · Discoverer experience
The Paris Opera (French: Opéra de Paris) is the main opera and ballet company of France. It was started in 1669 by Louis XIV as the Académie d'Opéra. Soon after, it was led by Jean-Baptiste Lully and renamed the Académie Royale de Musique, but it was still called the Opéra by most people. The style of dance known as classical ballet began within the Paris Opera, and the Paris Opera Ballet has always been a big part of the company.
Today, the Paris Opera is called the Opéra national de Paris. It mainly puts on operas at its modern theatre, Opéra Bastille, which has 2,723 seats and opened in 1989. It also performs ballets and some older operas at the famous Palais Garnier, which opened in 1875 and has 1,979 seats. Smaller and newer shows are held in a 500-seat Amphitheatre under the Opéra Bastille.
Each year, the Paris Opera gives about 380 shows of opera, ballet, and concerts to around 800,000 people. About 17% of the audience comes from other countries. The company has a big team, including an orchestra of 170 musicians, a chorus of 110 singers, and a corps de ballet of 150 dancers. It also has training programs for young artists.
History
See also: French opera
The Opera under Louis XIV
Pierre Perrin
The poet Pierre Perrin started thinking about French opera in 1655, long before the Paris Opera was officially created. He thought the idea that French was not good for music was wrong. In 1666, he asked the minister Colbert to let the king start an "Academy of Poetry and Music" to mix French words and music into a new kind of show.
In 1669, Louis XIV gave Perrin a special right to create opera houses in France for 12 years. Perrin could pick his partners and set ticket prices. No one else could start a similar place, not even rich people. Perrin turned a old tennis court into a theater for about 1200 people.
Jean-Baptiste Lully
The Opera was renamed the Académie Royale de Musique and became known simply as the Opéra. Lully quickly got the king to change the rules so that other performers could only use fewer singers and musicians. Because of legal problems, Lully could not use Perrin’s theater, so a new one was built. During Lully’s time, only his own works were performed. The first shows were Les fêtes de l'Amour et de Bacchus in 1672 and Cadmus et Hermione in 1673.
After Molière died in 1673, his group joined another theater group. Lully wanted a better theater and got to use a nice one for free. The first show there was Alceste in 1674. Lully’s operas were sometimes criticized, so the king let some shows be performed for special groups to help. During Lully’s time, shows happened almost every year, except for three weeks at Easter. Performances were on Tuesdays, Fridays, and Sundays.
After Lully
After Lully died in 1687, almost twice as many new shows were made each year because his successors had a harder time keeping the audience interested. Lully’s works were often performed again. French composers usually wrote new music for new stories, while Italian composers often used the same stories with new music. One important new show from this time was L'Europe galante by Campra in 1697.
Ballet
In 1661, Louis XIV, who loved dancing, started the Académie Royale de Danse to teach proper dancing. From 1680 until Lully died, a famous dancer named Pierre Beauchamp led it. When Lully took over the Opera in 1672, he and Beauchamp made dancing a big part of the shows. Over time, this dancing part became known as the Paris Opera Ballet. In 1713, a dance school was opened, which is now called the Paris Opera Ballet School. The Académie Royale de Danse went away after the monarchy ended in 1789.
The company after the Revolution and in the 19th century
After the French Revolution, the Opera changed names many times and moved to a new theater in 1794. In 1802, Napoleon took control and gave it a new name. After Napoleon, it changed names again. In 1821, it moved to a theater that could hold 1900 people, but it burned down in 1873. In 1875, the Opera moved to a new building called the Palais Garnier.
20th century
From 1908 to 1914, Henri Benjamin Rabaud led the music at Palais Garnier. In 1939, the Opera joined with another theater group. In 1990, the Opera moved to a new home called Opéra-Bastille, but still used Palais Garnier for some shows. In 1994, it became the Opéra National de Paris. People still usually called it the Opéra.
21st century
The current leader of the Opera is Alexander Neef, who started in September 2020. In April 2021, Gustavo Dudamel was chosen to lead the music, but he left in 2023. In January 2026, Semyon Bychkov was picked to be the next music leader, starting in August 2028.
Video streaming service
On 7 April 2023, the Opera started a video streaming service called Paris Opera Play (or POP). It began with 80 shows, including operas, ballets, and documentaries. People can watch live shows too. The videos work on computers using browsers like Google Chrome, Firefox, Microsoft Edge Chromium, and Safari. Subtitles in French and English are available for most videos. Viewers can use Chromecast or AirPlay to watch on a TV, but AirPlay does not show subtitles. An alternative is to connect a computer to a TV with an HDMI cable. In March 2025, Paris Opera Play added apps for Apple TV and Android TV.
List of official company names
| Date | Official name |
|---|---|
| 28 June 1669 | Académie d'Opéra |
| 13 March 1672 | Académie Royale de Musique |
| 24 June 1791 | Opéra |
| 29 June 1791 | Académie de Musique |
| 17 September 1791 | Académie Royale de Musique |
| 15 August 1792 | Académie de Musique |
| 12 August 1793 | Opéra |
| 18 October 1793 | Opéra National |
| 7 August 1794 | Théâtre des Arts |
| 2 February 1797 | Théâtre de la République et des Arts |
| 24 August 1802 | Théâtre de l'Opéra |
| 29 June 1804 | Académie Impériale de Musique |
| 3 April 1814 | Académie de Musique |
| 5 April 1814 | Académie Royale de Musique |
| 21 March 1815 | Académie Impériale de Musique |
| 9 July 1815 | Académie Royale de Musique |
| 4 August 1830 | Théâtre de l'Opéra |
| 10 August 1830 | Académie Royale de Musique |
| 26 February 1848 | Théâtre de la Nation |
| 29 March 1848 | Opéra-Théâtre de la Nation |
| 2 September 1850 | Académie Nationale de Musique |
| 2 December 1852 | Académie Impériale de Musique |
| 1 July 1854 | Théâtre Impérial de l'Opéra |
| 4 September 1870 | Théâtre de l'Opéra |
| 17 September 1870 | Théâtre National de l'Opéra |
| 14 January 1939 | Réunion des Théâtres Lyriques Nationaux |
| 7 February 1978 | Théâtre National de l'Opéra de Paris |
| 2 April 1990 | Opéra de Paris |
| 5 February 1994 | Opéra National de Paris |
List of venues
| Theatre | Dates used |
|---|---|
| Salle de la Bouteille | 3 March 1671 – 1 April 1672 |
| Salle du Bel-Air | 10? November 1672 – June 1673 |
| Salle du Palais-Royal (1st) | 16 June 1673 – 6 April 1763 |
| Salle des Tuileries | 24 January 1764 – 23 January 1770 |
| Salle du Palais-Royal (2nd) | 26 January 1770 – 8 June 1781 |
| Salle des Menus-Plaisirs | 14 August – 23 October 1781 |
| Théâtre de la Porte Saint-Martin | 27 October 1781 – 7 March 1794 |
| Théâtre National de la rue de la Loi | 26 July 1794 – 13 February 1820 |
| Salle Favart (1st) | 19 April 1820 – 11 May 1821 |
| Salle Louvois | 25 May – 15 June 1821 |
| Salle Le Peletier | 16 August 1821 – 28 October 1873 |
| Salle Ventadour | 19 January 1874 – 30 December 1874 |
| Palais Garnier | 5 January 1875 – 29 June 1936 |
| Théâtre Sarah Bernhardt | 1 August 1936 – 20 November 1936 |
| Théâtre des Champs-Élysées | 30 November 1936 – 17 February 1937 |
| Palais Garnier | 21 February 1937 – present |
| Opéra Bastille | 13 July 1989 – present |
List of managing directors
| Start date | Name | Administration |
|---|---|---|
| 28 June 1669 | Pierre Perrin | Royal Household |
| 30 March 1672 | Jean-Baptiste Lully | |
| 27 June 1687 | Jean-Nicolas de Francine | |
| 30 December 1688 | Jean Nicolas de Francine, Hyacinthe de Gauréault Dumont | |
| 7 October 1704 | Pierre Guyenet | |
| 12 December 1712 | Jean Nicolas de Francine, Hyacinthe de Gauréault Dumont | |
| 8 February 1728 | André-Cardinal Destouches | |
| 1 June 1730 | Maximilien-Claude Gruer | |
| 18 August 1731 | Claude Lecomte (Opera director) Lebœuf | |
| 30 May 1733 | Eugène de Thuret | |
| 18 March 1744 | Jean-François Berger | |
| 3 May 1748 | Joseph Guénot de Tréfontaine | |
| 25 August 1749 | Louis-Basile de Bernage, Marquis d'Argenson, then François Rebel and François Francœur | City of Paris |
| 1754 | Joseph-Nicolas-Pancrace Royer | |
| 1755 | Bontemps, Levasseur | |
| 13 March 1757 | François Rebel, François Francœur | Royal Household |
| 9 February 1767 | Pierre Montan Berton, Jean-Claude Trial | |
| 9 November 1769 | Pierre Montan Berton, Jean-Claude Trial, Antoine Dauvergne, Joliveau | City of Paris |
| 18 April 1776 | Direction by the Royal Commissioners | Royal Commissioners |
| 18 October 1777 | Jacques de Vismes | |
| 19 February 1779 | City of Paris | |
| 19 March 1780 | Pierre Montan Berton | Royal Accountant |
| 27 May 1780 | Antoine Dauvergne, François-Joseph Gossec | |
| 8 April 1790 | City of Paris | |
| 8 March 1792 | Louis-Joseph Francœur, Jacques Cellerier (under committee headed by J.-J.Leroux) | Paris Commune (French First Republic) |
| 17 September 1793 | Committee of the Commune (with François Lays) | |
| 1 May 1797 | Committee of the Commune | |
| 12 September 1799 | Jacques Devisme (formerly Jacques de Vismes du Valgay), Joseph Bonet de Treyches | |
| 13 March 1800 | Jacques Devisme | |
| 25 December 1800 | Joseph Bonet de Treyches | |
| 19 December 1801 | Jacques Cellerier | |
| 26 November 1802 | Prefect Étienne Morel de Chefdeville, then Joseph Bonet de Treyches as Director | Prefects of the Palace |
| 1 November 1807 | Louis-Benoit Picard | Imperial Superintendents |
| 3 April 1814 | Royal Superintendents | |
| 18 January 1816 | Denis Pierre Jean Papillon de la Ferté | |
| 30 March 1817 | Alexandre Étienne Choron | |
| 30 October 1819 | Giovanni-Battista Viotti | |
| 1 November 1821 | François-Antoine Habeneck | |
| 26 November 1824 | Raphaël Duplantys | |
| 12 July 1827 | Émile Timothée Lubbert | |
| 2 March 1831 | Louis-Désiré Véron | Franchised entrepreneurship with state subvention |
| 15 August 1835 | Henri Duponchel | |
| 15 November 1839 | Henri Duponchel, Édouard Monnais | |
| 1 June 1840 | Henri Duponchel, Édouard Monnais, Léon Pillet | |
| 1 June 1841 | Henri Duponchel, Léon Pillet | |
| October 1841 | Léon Pillet | |
| 1 August 1847 | Léon Pillet, Henri Duponchel, Nestor Roqueplan | |
| 24 November 1847 | Henri Duponchel, Nestor Roqueplan | |
| 21 November 1849 | Nestor Roqueplan | |
| 1 July 1854 | Imperial Household (Civil List) | |
| 11 November 1854 | François-Louis Crosnier | |
| 1 July 1856 | Alphonse Royer | |
| 20 December 1862 | Émile Perrin | |
| 11 April 1866 | Franchised entrepreneurship with state subvention | |
| 1 October 1870 | State administration | |
| 28 October 1870 | Society of Artists with state subvention | |
| 9 May 1871 | Eugène Garnier | |
| 3 July 1871 | Émile Perrin | |
| 9 July 1871 | Hyacinthe Halanzier | |
| 1 November 1871 | Private entrepreneurship with state subvention | |
| 16 July 1879 | Auguste Vaucorbeil | |
| 1 December 1884 | Eugène Ritt, Pedro Gailhard | |
| 1 January 1892 | Eugène Bertrand, Édouard Colonne | |
| 1 April 1893 | Eugène Bertrand, Pedro Gailhard | |
| 31 December 1899 | Pedro Gailhard | |
| 1907 | Pedro Gailhard, Pierre Barthélemy Gheusi | |
| 1 January 1908 | Leimistin Broussan, André Messager | |
| 1 January 1915 | Jacques Rouché | |
| 14 January 1939 | State administration: Réunion des Théâtres Lyrique Nationaux (Opéra and Opéra-Comique merged under one administration, RTLN) | |
| 1940 | Jacques Rouché (RTLN), Philippe Gaubert (Opéra) | |
| 1942 | Jacques Rouché (RTLN), Marcel Samuel-Rousseau (Opéra) | |
| 21 February 1945 | René Gadave (interim administrator) | |
| 27 June 1945 | Maurice Lehmann (RTLN), Reynaldo Hahn (Opéra) | |
| 12 May 1946 | Georges Hirsch (RTLN), Henri Büsser (Opéra) | |
| 17 November 1951 | Maurice Lehmann (RTLN), Emmanuelle Bondville (Opéra) | |
| 30 September 1955 | Jacques Ibert (RTLN), Emmanuelle Bondville (Opéra) | |
| 13 April 1956 | Georges Hirsch (RTLN), Emmanuelle Bondville (Opéra) | |
| August 1959 | A.-M. Julien (RTLN), Emmanuelle Bondville (Opéra) | |
| 19 April 1962 | Georges Auric (RTLN), Emmanuelle Bondville (Opéra) | |
| September 1968 | André Chabaud (interim director) | |
| 1 October 1969 | René Nicoly | |
| 23 May 1971 | Jean-Yves Daniel-Lesur (RTLN), Bernard Lefort (Opéra) | |
| 1 January 1972 | Rolf Liebermann | (Opéra-Comique closed) |
| 7 February 1978 | Théâtre National de l'Opéra de Paris | |
| 31 July 1980 | Bernard Lefort | |
| September 1982 | Interim committee: Paul Puaux Jean-Pierre Leclerc, Alain Lombard, Georges-François Hirsch | |
| 1 August 1983 | Massimo Bogianckino | |
| 24 September 1985 | ||
| 12 February 1986 | Jean-Louis Martinoty | |
| 13 July 1989 | (Opéra Bastille opens) | |
| 1 September 1989 | Jean-Albert Cartier (general administrator of the Palais Garnier) | |
| 2 April 1990 | Pierre Bergé (president) | Opéra de Paris (Opéra-Comique reopens) |
| 15 May 1991 | Georges-François Hirsch (general administrator of the Palais Garnier) | |
| 1 September 1992 | Brigitte Lefèvre (general administrator of the Palais Garnier) | |
| 5 February 1994 | Opéra National de Paris | |
| 15 February 1994 | Jean-Paul Cluzel (inspector general of finances) | |
| 1 August 1995 | Hugues Gall | |
| September 2004 | Gerard Mortier | |
| 1 August 2009 | Nicolas Joel | |
| 1 August 2014 | Stéphane Lissner | |
| 1 September 2020 | Alexander Neef | |
Other Parisian opera companies and theatres
From 1725 to 1791, Paris had four main public theatres: the Opéra de Paris, the Comédie-Française, the Comédie-Italienne, and the Opéra-Comique. In 1762, the Opéra-Comique joined with the Comédie-Italienne.
By 1791, laws changed, letting many more theatres open. This caused lots of new theatres to appear, and names changed often as buildings burned down and reopened. Some new theatres included the Théâtre Feydeau, Théâtre Italien, Théâtre Lyrique, and others.
After 1870, things calmed down, and mainly the Opéra and Opéra-Comique stayed active. When the Opéra-Comique’s theatre burned in 1887, the company moved to other places. Other groups also performed operas in different theatres around this time.
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